My First Quilt with Yvonne Fuchs

It's the last Friday of the month, which means it's time for a My First Quilt interview! This month we get to learn all about Yvonne Fuchs' first quilt.

Yvonne and I first met back in 2014, when we both participated in the New Quilt Blogger blog hop, and I have followed her blog, Quilting Jetgirl, ever since. Yvonne is also a technical editor, and she does an excellent job editing all of my patterns. After 9 years as online friends, so far, I hope that one of these days we'll actually get to meet in person!

You can connect with Yvonne on her website, Instagram, Facebook, and Youtube. You can also sign up for her newsletter.

And now, here is Yvonne's first quilt!

What year did you make your first quilt? What prompted you to make it?

Prompted by my paternal grandmother, Ocie, I pieced together my first quilt top when I was a sophomore in high school (circa 1995). Ocie offered to hand quilt a twin sized quilt for me to take with me and use for my college dorm room bed. While my grandmother was a prolific quilter in her life, her offer was rare and wonderful and I was excited!

My mother and I went to a local quilt shop, and we picked out a Card Trick quilt pattern that was written as a "Quilt in a Day" book by Eleanor Burns. The pattern / booklet was the Winning Hand Quilt, and I pretty much picked out fabrics that matched the cover quilt exactly. We also purchased a rotary cutter, rotary cutting mat, and the recommended acrylic templates.

What techniques were used in that first quilt? Did you quilt it yourself?

The first adventure for my mother and I was to figure out how to cut the fabric. My mother was an accomplished garment sewist, so she was used to working with pattern templates and cutting fabric by hand. I recall it taking several days to cut all the fabric. In particular, the fabric I purchased for the sashing was a striped fabric, and we meticulously (or fussy) cut the strips so that the floral design would be pieced exactly centered for the sashing.

As far as piecing techniques go, I remember strip piecing and sub-cutting units. I also think that the blocks were set on point using corner setting triangles. But mostly it was a lot of long, straight seams.

I know for a fact that my seam allowances were all over the place for this quilt. Several of my more scant seam allowances have popped open over the years, and I've simply whip-stitched them closed again, like you can see in the lower right hand corner of the block in the image below, between the white background and blue leaf print. 

I did not quilt my first quilt. I found a high thread count solid navy sheet to use for the backing, and when my family went to grandma's for Thanksgiving, we took the quilt top and backing with us to let grandma work her magic. She had a custom wooden frame that my grandpa had made for her hand quilting that consisted of two wooden saw horses made to be the right height for her in her chair. She had different length wooden beams that would fit into slots in the saw horses that she wrapped the quilt sandwich around, depending on the size of the quilt she was working with. I did not get to see her doing any of the hand quilting, but when it was done, she mailed it back to me for finishing.

I had NO idea what "binding" a quilt meant. I used 3" wide WOF strips. I did not fold the strips in half for a double fold binding; instead, I sewed the binding to the quilt top using a 1/2" seam allowance. Then I folded the raw edge over to the back and then folded the second raw edge of the binding back to meet the trimmed edge of the quilt, making the binding on the back a wide, chunky finish of about 7/8". I hand stitched the binding to the back of the quilt, and while I started off confused and frustrated, by the end of the process I found that I was really enjoying it.

Who taught you to make the quilt?

My mother and I sorted through making the quilt together following the instructions in the Winning Hand Quilt book by Eleanor Burns. My mother had lots of sewing experience, and I am grateful for her patience as we puzzled how to do each step together. I still remember her puzzling over the fact that the instructions said to use a 1/4" seam allowance, because garments typically work with much more generous seam allowances. Also, as a beginner, my seam allowances were anything but consistent and my mother (rightfully) worried that some of my seams were too scant.

Are the colours you chose for your first quilt ones you would still choose today?

I still love the general colors that I used in my first quilt, but I don't use nearly as many prints in my quilts today. All of the fabrics used in the quilt top, while basically mimicking the fabrics in the cover quilt of the pattern, were pulled based around the main large floral print that was used for the outer border, as one of the prints in the blocks, and for the binding.

My favorite color, since I had a concept of what that means, has always been blue. So, while I might not lean so hard on large scale prints and borders in my quilts now, this quilt still brings a smile to my face and is a joy to nap under.

Did you fall in love with quilting right away? Or was there a gap between making the first quilt and the next one?

I absolutely fell in love with quilting right away! While my grandmother was hand quilting my first quilt top, I promptly made my second and third quilts (much smaller lap and wall hanging sizes). There was then a bit of a gap between my third and fourth quilts; going to college definitely put a dent in my free time and my access to my mother's sewing machine. But the process of making my fourth quilt at home on long weekends (and leaving my mother's sewing and craft room an utter mess while I was back at college) prompted my parents to gift me with my first sewing machine, a Husqvarna Viking Freesia 415.

Where is the quilt now?

I still have my first quilt. While we are not entirely certain, we think it was likely the last quilt that my grandmother hand quilted. She started having mini strokes shortly after finishing it and lost her fine motor skills. Grandma knew that I was proud to use it on my dorm room bed, and I still pull it out to nap under when I want to sleep on the sofa, especially when I'm feeling sick. There's something special about knowing I'm wrapping up in my grandmother's love.

Is there anything you wish you could go back and tell yourself as you made that first quilt?

I was definitely not in love with some of the fabric choices for the quilt top, and I remember wishing for a wider variety of options to choose from. I didn't think the red leaf print used in the blocks was a good enough color match (and pinks/reds have never been a favorite color for me). I don't know that I would tell myself anything in particular, but I am really glad to have access to high quality solids and blenders now so that when I really do want a print to shine, it can!

Anything else you want to share about your first quilt?

My bed was right by the window in my dorm room, and the fabric at the foot of the bed that was in the sun is a bit faded. Some seams have popped open, necessitating repair. It's not a perfect quilt by any stretch of the imagination, but it is holding up and is one of my most treasured possessions. It is stored so that if I have a few minutes in case of an emergency, it can be one of the few things I grab and save.

Thanks for sharing your first quilt with us, Yvonne! It's a true family heirloom, for sure ❤

Introducing Stash Artists!

*** Edited to say, the Stash Artists doors have now closed. Join the waitlist now so you don't miss out when they're open again! ***

I'm excited to announce my Stash Artists membership is now open! 🥳 

As quilters, our fabric stash is our palette. It's where we go to pull out the colours and prints we combine to make our works of art, our quilts. Whether we wrap up in those quilts ourselves, give them as gifts to the people we love, or donate them to strangers in need of comfort, we're making the world more beautiful, one quilt at a time.

The Stash Artists membership is for Stash Artists like you! It combines stash-friendly and scrap-friendly patterns with a community of fellow Stash Artists who work with fabric and thread to create joy for themselves and others.

Click here to join now!

What's included in the membership?

🧵 The Reverberate pattern (see below)

🧵 6 exclusive patterns each year, released every other month. These patterns will be available only to Stash Artists for at least a year, after which they may be released to the public.

🧵 6 virtual Sew Together Sessions each year, in alternate months to the pattern releases. Quilty friends are the best, so let's sew together with friends from around the world!

🧵 An exclusive annual block-of-the-month quilt pattern, available in two sizes. Each month will include extra layout mockups for that month's block, too!

🧵 Video tutorials so you can learn new techniques and expand your quilting toolbox 

🧵 Exclusive monthly devotions

🧵 A private FB community to share progress on our quilts, ask questions, and build friendships

🧵 Discounts on patterns, workshops, and QALs outside the membership

Join now!

Since this is the first time Stash Artists has opened for new members, you can get in at the Founding Member price, and lock it in for as long as you're a member in good standing. The Stash Artists membership will never be offered at this price again! And if you join on the annual plan, you'll save even more!

Reverberate

When you join Stash Artists, you'll have access to the Reverberate quilt pattern right away. Reverberate is paper pieced, and the blocks make a fabulous secondary design when assembled together. It would look great in so many different colourways!

Click here to join Stash Artists as a Founding Member today. The membership will be open for Founding Members until July 5th, after which the doors will close for a few months. When it reopens again the Founding Member price will no longer be available.

I hope to see you inside the Stash Artists membership!

Reverberate

Sometimes it's really hard to keep a quilt a secret! That's especially true when I really, really love the quilt, like I love this one I'm calling Reverberate 😊 It's even more true when I'm keeping it secret because it's part of a larger project I'm really excited about, like the Stash Artists membership. Thankfully the membership is now open for Founding Members, so I don't have to keep anything secret anymore! Learn all about the Stash Artists membership here.

*** Edited to say the Stash Artists doors are now closed. Join the waitlist now so you don't miss out when they open again! ***

If you follow me on social media, you've seen plenty of sneak peeks of Reverberate, including some that showed almost the whole quilt, but this is the first time I'm actually sharing the full quilt. I love quilt blocks that create secondary patterns, and this one is no exception!

Sometime last year I was invited to submit a block for Benartex's Block Remix page in their newsletter. The block being remixed for that particular newsletter, published in December, was the log cabin block. Of course I said yes, then started playing around with different possibilities. I wanted to play on the repeating lines of the log cabin, and eventually I ended up with the Reverberate block. It doesn't necessarily look much like a log cabin block anymore, but it does still have the repeating lines radiating out from the center.

They only needed a digital mockup of the block for the newsletter, but of course I wanted to actually make the block, and to make enough of them for a quilt. I made the 9 blocks during my 100 Days of Scrappy Sewing, and the fabrics were all pieces leftover from previous projects. There are two different background fabrics, though it's hard to tell, even in person.

I love how the lines seem to suggest soundwaves or the ripples after a stone is dropped into a pond. I also love how they match up with the lines in the neighbouring block in some places and not in others. 

The blocks are assembled with a partial seam, and I wrote a tutorial for that last week. I also made a Reverberate block with a black background for the tutorial, so of course now I want to make a bunch more!

I quilted overlapping spirals, starting in the center of each block, in Aurifil 50 wt thread to match the colour of each block. I thought about using white thread for all of them, or only doing one spiral in white, but chose to go with all the colours mostly for the effect on the back. It's subtle, but I do love the overlapping colours!

Walking foot quilting is not my forte! Those lines are anything but smooth. They're not always the same distance apart, even though I was using the edge of my walking foot as a guide. I started each spiral with my free motion foot, and more than once I considered just finishing the whole spiral with that foot. I know the distance between lines would have been even worse without the edge of the foot to guide me, though, so I always switched back to the walking foot. At one point I sent a friend a message that said, "Every now and then, just randomly, you should send me a message that says, 'Remember, you don't enjoy quilting with your walking foot. Don't do it!'" 

Where the spirals come together, I have some tucks and pleats. I didn't even consider trying to fix them, to be honest. That would have required ripping out too much quilting to be feasible, plus it's a baby quilt. I figure once it's washed the pleats will be even less noticeable, and whatever little one ends up dragging it around and snuggling in it won't care about (or notice) less than perfect quilting. 

Since it's a 36" square, this little quilt let me use another scrap of my Warm and Natural batting. Gradually the pile of offcuts is getting smaller...not small, mind you, but smaller!

I debated for a while what to use for the binding. I considered a scrappy binding, using some of the fabrics in the front. I also considered white, but that didn't seem practical for a baby's quilt. Then I remembered this stripe, designed by Kristy of Quiet Play, and it seemed like the perfect frame. I'm so glad I had enough, though now I only have a piece a couple of inches wide left.

Reverberate is the first Stash Artists pattern, available to Founding Members members right away. You can learn all about the membership here. Stash Artists will be open for Founding Members until July 5th, after which the doors will close, and the Founding Member price will be gone. If you join now, you'll lock in the Founding Member price for as long as you stay a member.

Along with the one I've started with the black background, I'm also thinking Reverberate would make a great Christmas quilt. Or go monochrome and choose all blue fabrics (my choice!) or all whatever your favourite colour is. What colours would you choose for your Reverberate? 

I'm linking with NTT, Beauties Pageant, Finished (or not) Friday, and TGIFF.